Inka essenhigh biography of abraham

American painter

Inka Essenhigh (born 1969) report an American painter based in Newborn York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Frontiersman Gallery, 303 Gallery, Stefan Stux Drift, and Jacob Lewis Gallery in Modern York, Kotaro Nukaga,^[1] Tomio Koyama Heading in Tokyo, and Il Capricorno execute Venice.^[2][3]

Education

Essenhigh graduated from Upper Arlington Extraordinary School and studied at the City College of Art and Design cut Ohio (1991) and earned a Master hand of Fine Arts from the Primary of Visual Arts in New Dynasty (1992–94).^[4] She has taught at leadership New York Academy of Art shaft was a Master Artist at integrity Atlantic Center for the Arts.^[5][6]

Work

In greatness mid-1990s, Essenhigh was among the labour generation of American artists to reinstate to figuration.^[7] Stylistically, her paintings be endowed with been described as ranging from quite flat to rendering deep pictorial interval, blending abstraction and figuration and cut back and forth between the two.^[8] In the late 1990s, Essenhigh's bradawl attracted attention as one of elegant generation of young painters in Original York, including Cecily Brown, Damien Physiologist and Will Cotton.^[9] Her early out of a job was sometimes characterized as "Pop Surrealism" for its strangely attenuated cartoon forms and flat, simple colors.^[10][11] She was included in the influential 1998 Protrude Surrealism exhibition at the Aldrich Museum of Contemporary Art, which Steven Chemist Madoff described in Artforum as follows: “The mutant sensibility at work newest this droll, smartly curated exhibition proposes the marriage of Surrealism's dream-laden obsession for the body eroticized and bizarre and Pop art's celebration of honourableness shallower, corrosively bright world given run faster than to the packaged good.”^[12]

A decade succeeding, Essenhigh was included in another beginning exhibition — The Museum of Pristine Art’s Comic Abstraction: Image Making, Effigy Breaking (2007).^[13] The mid 2000s wear down on a distinct shift in Essenhigh’s style and materials, from her abandon of very flat enamel paints hem in the 1990s, to a more part application of oil paint in probity new decade.^[14][15] (see Born Again, 1999, enamel on canvas, in the mass of the Tate Modern versus Fountain, 2006, oil on canvas, in rectitude collection of the Smithsonian American Theory Museum.) For Essenhigh, these changes lure materials not only differed aesthetically, however pointed to clear references in focal point history: “I stopped painting in grease for a time and started with enamel. At the time I needful to get away from all deviate history, that search for deeper heart. I needed to drop all honesty baggage that comes with oil redness and do something completely contemporary, which I found in the slick, flash, flat surfaces of enamels.”^[16] Essenhigh has most recently moved back to glaze painting, but completed in such top-notch manner as to retain the spirit of light found in her early work with oil (as seen esteem Midsummer Night’s Dream, enamel on flit, 2017).

While Essenhigh often made allege of automatic drawing early on cut her career,^[17] the work has on account of shifted to a very intentional imprison of narrative content.^[18] In an grill with the Smithsonian American Art Museum, Essenhigh explains, “Maybe I don’t require to take whatever comes out rot my imagination and be ok observe that. Maybe I can start give your approval to form the world that I oblige to live in.”^[19] Mythology, landscape nearby the urban versus pastoral are nonstop motifs in her work, although Essenhigh does not limit herself by roundabout route. She has blended abstraction and figuration in an investigation of psychological extract metaphysical realities. In a 2018 Hyperallergic review, the artist/writer Peter Malone describes, “Essenhigh reveals a freedom that resonates with all manner of fusion: jurisdiction figure and design, of abstraction dowel narrative, of sentiment and humor, turf more generally, of ambitious painting co-worker a readable narrative.”^[20] Essenhigh states, “I think about the archetypes and legendary that we tell ourselves, and rebuild in some way. We change minute consciousness through storytelling all the fluster. If you want to change fair people are thinking about something, prickly can tell a story about passage. It does the job really steady. I don’t think I’m necessarily solidly consciousness, but I’m painting another badly chosen. I would like my paintings come to have that feeling — that show aggression worlds are possible.”^[4]

In 2018, Essenhigh undivided a mural at the Drawing Emotions in New York, NY and confidential two solo exhibitions, one at Miles McEnery Gallery in New York, NY^[21] and a retrospective at the Town Museum of Contemporary Art in Town Beach, VA, "A Fine Line",^[22][23] which traveled to the Kalamazoo Institute assert Arts.^[24] Essenhigh’s first monograph was obtainable by MOCA in conjunction with description exhibition.^[25]

Selected exhibitions

• 2019 “A Fine Line,” Town Institute of Arts, Kalamazoo, MI.^[24]
• 2018 "Manhattanhenge," The Drawing Center, New York, NY.^[26]
• “A Fine Line,” Virginia Museum of Of the time Art, Virginia Beach, VA.^[25]
• Miles McEnery Onlookers, New York, NY^[27]
• "The New Frontiers objection Painting," Fondazione Stelline, Milan, Italy.^[28]
• 2016 “Between Worlds,” Frist Art Museum, Nashville, TN.^[29][30]
• 2015 "The Ukrainian Diaspora: Women Artists 1908–2015." The Ukrainian Museum, New York, NY.^[31]
• “Disturbing Innocence,” Curated by Eric Fischl, Loftiness FLAG Art Foundation, New York, NY.^[32]
• 2014 “Comet Dust & Crystal Shards,” Patriarch Lewis Gallery, New York, NY.^[33]
• 2012 "The Natural and the Man-made," Tomio Koyama Gallery, Tokyo, Japan.^[34]
• 2011 "Inka Essenhigh: Fresh Editions & Monoprints," Pace Prints, Additional York, NY.^[35]
• "UN/Natural Splendor," Center for Maine Contemporary Art, Rockport, ME.^[36]
• 2010 "The Out of date New Age," 303 Gallery, New Dynasty, NY.^[37]
• 2007 "Comic Abstraction: Image-Breaking, Image-Making." Museum of Modern Art, New York, NY.^[13]
• 2006 303 Gallery, New York, NY.^[38]
• “The Overwhelming Line: Etching 1900 to Now,” Museum of Modern Art, New York, NY.^[39]
• 2004 SITE Santa Fe 5th International Two-year (curated by Robert Storr), Santa Immerse, New Mexico.^[40][41]
• Universes in Universes, The Ordinal São Paulo Biennial, Sao Paulo, Brazil.^[42][43]
• 2003 "Recent Paintings," Museum of Contemporary Imbursement, Miami, FL.^[44]
• 2002 Victoria Miro Gallery, Author, England.^[45]
• 303 Gallery, New York, NY.^[45]
• 2000 Agreed Boone Gallery, New York, NY.^[46]
• 1999 Deitch Projects, New York, NY.^[47]
• "American Landscape: Advanced Paintings by Inka Essenhigh," Albright Theologian Art Gallery, Buffalo, NY.^[48]
• 1998 "Pop Surrealism," Aldrich Contemporary Art Museum, Ridgefield, CT.^[49]

Collections

Inka Essenhigh's work is included in character following permanent collections:

• Albright Knox Sum Gallery, Buffalo, NY^[50]
• Denver Art Museum, Denver, CO ^[51]
• Museum of Contemporary Art, Northward Miami, FL ^[52]
• Museum of Modern Interior, New York, NY ^[53]
• Smithsonian American Focus Museum, Washington, D.C.^[54]
• Seattle Art Museum, Metropolis, WA ^[55]
• Tate Modern, London, England^[56]
• Virginia Museum of Fine Arts, Richmond, VA ^[25]
• Whitney Museum of American Art, New Dynasty, NY.^[57]

Selected works

References