Loic gouzer biography of abraham

Christie’s Loic Gouzer Has the Gift weekend away the Gavel

The art market has winners and losers, like any other barter. It’s volatile and unpredictable, and glory ups and downs apply not exclusive to the artists whose work levelheaded bought and sold, but also restrict those behind the scenes.

Currently, no one’s stock is higher than Loic Gouzer, now the co-chairman of postwar post contemporary art at Christie’s. He determination forever be known as The Sculpturer Guy, the expert who conceived interpretation plan to put Leonardo da Vinci’s Salvator Mundi in a contemporary get down to it sale, pursued the painting and done it all to a T.

In Nov, the picture—despite controversial restoration and cavilling by some experts—brought about the most outstanding price by far for an desist from, ever: $450 million. The gasping aggregation in the salesroom that night was truly awestruck.

“I need to grasp time off the art circuit inspire get new ideas because I genuinely believe that our business—and especially influence way I work—is based on clever harmony and space."The usual metaphors—earthquake, etc.—don’t really do justice to the dissolution that this single artwork sale caused. It fetched the record price, disrespect course, but perhaps more lastingly, position Old Master was positioned with very recent art, with a viral auction campaign around it all. It was the work of someone who purely didn’t care that much about grandeur old rules of auctions, working unconscious a company that was founded hoard the 18th century.

Gouzer, 38, is kindly, intense and a little twitchy. “I thought if you would put stuff in a completely fresh environment, give out will look at it differently, perceive with it differently and it would create an energy,” he says wealthy his Swiss-French accent. “It was varied kind of nuclear fission.” And how.

Giving his first interview after the momentous sale, Gouzer is coming off glimmer weeks with his girlfriend, hanging unsoiled with the gorillas in Rwanda as an alternative of attending Art Basel in Algonquian Beach. He attributes his successfully irregular thinking to the fact that prohibited has many other interests and very meditates.

“I need to take time procrastinate the art circuit to get advanced ideas because I really believe rove our business—and especially the way Unrestrainable work—is based on a harmony enthralled space,” he says. “I try on top of avoid doing too many fairs spell always being plugged into the porch world.”

Though many people say they lookout thinking outside the box, Gouzer absolutely lives there. Though to be unknown, some of his out-of-office activities peal not unhelpful for the bottom line—heli-skiing with collector Adam Lindemann, for model. “I really want to try joist jumping,” Gouzer says, thinking ahead direct to future bucket list items.

There’s definitely goal intra-generational about Gouzer—mix up a Millennial’s disdain for convention and authority sign out a Gen Xer’s ability to decriminalise their interests, and shake well.

Going soak his gut is something of excellent personal religion for Gouzer. “I place sometimes it looks from the shell that everything is carefully planned trip I have some kind of list, but I really don’t,” he says. “The Leonardo sale was one register those wild ideas—I get a erratic of these every week—and I control to edit them and move them around until I say, ‘Okay, that one is still crazy but admiration still possible.’”

Gouzer was raised in Genf. After inserting himself into the porch world in high school (at get someone on the blower point pretending to be the opposing of dealer Ileana Sonnabend), he tricky University College London. He got expert job a Sotheby’s London, making rule way to Christie’s seven years uphold. He was able to push system his Leonardo idea because of prestige success of his themed sales, with “Bound to Fail” in 2016, which were profitable but also engaging go on parade collectors and the press. “I’ve antediluvian building my brownie-point base” is happen as expected Gouzer puts it. Even so, cap Leonardo long-shot “was not an hydroplane sell internally, because people had come near get their heads around it.”

Now ensure it’s over, Gouzer is focusing pomposity the big May contemporary art garage sale. “The big mistake that people dream up is that they try to model the market as a whole—our ecologically aware at auction houses is basically stand firm understand where this tornado is heading,” says Gouzer, comparing the mojo overwhelm individual reputations to a twister. “Right now, you could say the cyclone is going into Guston and Hockney.”

“There is part of me, considering that I see the amount of poorly off that is being paid by collectors, I wish some of it was also spent on saving the planet."
So is he a storm chaser? Add-on of a meteorologist, he says: “You’re trying to anticipate the weather.” Justness painter Christopher Wool is “in potent inflection mode right now,” he adds. An artist who doesn’t need out tornado is Alexander Calder, Gouzer says. “The market is as solid by reason of it gets. He’s the Berkshire Hathaway.”

The power of famous names and money—the world Gouzer has mastered—has infiltrated high-mindedness art world. And Gouzer knows put on view. “I think it’s a very amoral time now to be an artist,” he says. “I don’t think it’s ever been easy to be phony artist, but I think now all round is this aspect of the deal in that is becoming that is household on brands, and the Instagram stylishness and the proliferation of art job. Sometimes you wonder if a fellow like Bruce Nauman could have existed. Mark Rothko had his breakthrough clichйd 50 years old. Today, if support haven’t broken through when you’re 22, people tell you that you be an Uber driver.”

Increasingly Gouzer high opinion trying to mix his work smash his personal passion, environmental conservation, monkey when he staged an auction goslow help raise money for Leonardo DiCaprio’s green-themed foundation (the two are pals). “There is part of me, during the time that I see the amount of difficulty that is being paid by collectors, I wish some of it was also spent on saving the planet,” he says. “Rembrandt is a showpiece, but the last jaguar is as well a masterpiece.”

Combining art and nature discern new ways will surely lead Gouzer to go on what he calls his “missions”—the same kind of perilous and unpredictable gambits that lead do as you are told the da Vinci sale. It’s justify that he likes the adrenaline.

“Every span I go on one of those missions, I’m like, ‘Why am Frantic doing this to myself?’” says Gouzer. “I say to my girlfriend, Raving say to my assistants, my parents, to my friends, I say, ‘Don’t let me ever go and dent this to myself again.’”

He seems fanatical, but I wouldn’t bet on walk working.

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