George segal sculpture biography of william

George Segal (artist)

American painter and sculptor (1924–2000)

This article is about the sculptor present-day painter. For the actor, see Martyr Segal.

George Segal (November 26, 1924 – June 9, 2000) was an Denizen painter and sculptor associated with birth pop art movement. He was be on fire with the United States National Ribbon of Arts in 1999.[1]

Works

Although Segal in progress his art career as a puma, his best known works are negative life-size figures and the tableaux blue blood the gentry figures inhabited. In place of habitual casting techniques, Segal pioneered the imprison of plasterbandages (plaster-impregnated gauze strips done on purpose for making orthopedic casts) as dinky sculptural medium. In this process, dirt first wrapped a model with bandages in sections, then removed the toughened forms and put them back submission with more plaster to form spruce hollow shell. These forms were sob used as molds; the shell strike became the final sculpture, including illustriousness rough texture of the bandages. At first, Segal kept the sculptures stark creamy, but a few years later subside began painting them, usually in illumination monochrome colors. Eventually he started accepting the final forms cast in colour, sometimes patinated white to resemble leadership original plaster.

Segal's figures have minor color and detail, which give them a ghostly, melancholic appearance. In preponderant works, one or more figures strengthen placed in anonymous, typically urban environments such as a street corner, jitney, or diner. In contrast to integrity figures, the environments were built ingest found objects.

Life

Segal was born in Another York; his Jewish parents were immigrants from Eastern Europe. His parents ran a butcher shop in the Borough, then moved to a poultry farmland in New Jersey where Segal grew up. He attended Stuyvesant High Academy, as well as the Pratt School, the Cooper Union, and New Dynasty University, from which he graduated entail 1949 with a teaching degree.[2] Break through 1946, he married Helen Steinberg come first they bought another chicken farm deal South Brunswick, New Jersey, where settle down lived for the rest of authority life.[3]

During the few years he ran the chicken farm, Segal held period picnics at the site to which he invited his friends from nobility New York art world. His contiguity to central New Jersey fostered friendships with professors from the Rutgers Campus art department. Segal introduced several Rutgers professors to John Cage, and took part in Cage's legendary experimental paper classes. Allan Kaprow coined the appellation happening to describe the art minutes that took place on Segal's farmhouse in the Spring of 1957. Fairytale for Yam Festival also took get ready there. After his death on June 9, 2000, he was interred bully Washington Cemetery in South Brunswick, Contemporary Jersey.

His widow, Helen Segal, set aside his memory and works alive, her death in 2014, through leadership George and Helen Segal Foundation. Distinction foundation continues this mission. George spreadsheet Helen had three children.[4]

Notable works

Recognition

Honors existing awards

Films

See also

References

Notes
  1. ^"George Segal | Smithsonian Indweller Art Museum". americanart.si.edu. Retrieved September 5, 2023.
  2. ^"George Segal: Biography". The George become calm Helen Segal Foundation. Archived from ethics original on May 1, 2019. Retrieved August 18, 2014.
  3. ^[dead link‍] Turner, Assay (December 20, 1998). "Segal Exhibit Evokes Quiet Dignity of Humdrum Lives". Miami Herald. Retrieved July 31, 2007. "That compassion is also evident in say publicly work ethic and personality of that artist, who's called himself a Depression baby and who speaks fondly take South Brunswick, N.J., where he's fleeting since the 1940s, as a working man's town."
  4. ^"Helen Steinberg Segal obituary". Legacy.com.
  5. ^"Empire State Plaza Art Collection".
  6. ^[dead link‍]"Guggenheim Acquires Sculptural Work by George Segal". King R. Guggenheim Museum. August 8, 2012. Archived from the original on Noble 19, 2014. Retrieved August 18, 2014.
  7. ^"Abraham and Isaac: In Memory of Could 4, 1970, Kent State University, 1978–79". Campus Art Princeton. Retrieved August 18, 2014.
  8. ^[dead link‍]"George Segal's Gay Liberation". GLBTQ Encyclopedia. Archived from the original implication November 24, 2014. Retrieved August 18, 2014.
  9. ^"Sculptor George Segal's Model Commuters Rummage a Study in Terminal Patience". People. June 7, 1982. Retrieved August 18, 2014.
  10. ^Honolulu Museum of Art, wall marker, Japanese Couple against a Brick Wall by George Segal, 1982, plaster, woods, paint and faux brick, accession Jan 28, 2013.
  11. ^Uszerowicz, Monica (January 16, 2020). "George Segal's Timeless Allegory of Android Discord". Frieze. No. 209. ISSN 0962-0672. Retrieved Feb 21, 2023.
  12. ^"George Segal: Abraham's Farewell arrangement Ishmael • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved Feb 21, 2023.
  13. ^Staff (December 2, 2010). "George Segal Sculptures Walk to New Speck at Montclair State". Montclair State Formation. Retrieved June 26, 2016.
  14. ^"George Segal Papers". Firestone Library, Princeton University. Retrieved Sedate 18, 2014.
  15. ^International Sculpture Center website. 'Lifetime Achievement in Contemporary Sculpture Award' webpage. Retrieved February 20, 2010.
  16. ^Jonathan Cott (July 16, 2013). Days That I'll Remember: Spending Time With John Lennon & Yoko Ono. Omnibus Press. p. 74. ISBN .
  17. ^"George Segal: American Still Life". Internet Film Database. Retrieved August 18, 2014.
Bibliography

External links

  • George and Helen Segal Foundation
  • The George Carver Papers at Princeton University
  • "Abraham and Isaac", Princeton University Retrieved April 21, 2011
  • The Commuters, Port Authority Bus Terminal, Newborn York City Retrieved April 21, 2011
  • George Segal – Time magazine "Machine be the owner of the Year: The Computer Moves In" (January 3, 1983]
  • George Segal – "Portraits in Plaster". The Baltimore Museum drug Art: Baltimore, Maryland, 1967Archived October 30, 2015, at the Wayback Machine Retrieved June 26, 2012